Pierre Boulez - Boulez conducts Debussy [5CDs Set]
5CDs | FLAC | Tracks: 33 | 299:09 mins | HQ Scans | 3% Recovery | 1.19 GB
Classical | Year: 2009 | Label: Sony Classical Records | Language: Neutral
Pierre Boulez (French pronunciation: [pjɛʁ buˈlɛz]) (born March 26, 1925) is a French composer of contemporary classical music and a conductor.
Boulez was born in Montbrison, Loire, France. As a child he began piano lessons and demonstrated aptitude in both music and mathematics. He pursued the latter at Lyon before pursuing music at the Paris Conservatoire under Olivier Messiaen and the wife of Arthur Honegger, Andrée Vaurabourg. It was through Messiaen that he discovered twelve-tone technique — which he would later study privately with René Leibowitz — and went on to write atonal music in a post-Webernian serial style. Boulez was initially part of a cadre of early supporters of Leibowitz, but due to an altercation with Leibowitz, their relations turned divisive, as Boulez spent much of his career promoting the music of Messiaen instead. The first fruits of this were his cantatas Le visage nuptial and Le soleil des eaux for female voices and orchestra, both composed in the late 1940s and revised several times since, as well as the Second Piano Sonata of 1948, a well-received 32-minute work that Boulez composed at the age of 23. Thereafter, Boulez was influenced by Messiaen's research to extend twelve-tone technique beyond the realm of pitch organization, serialising durations, dynamics, mode of attack, and so on. This technique became known as integral serialism. Boulez quickly became one of the philosophical leaders of the post-war movement in the arts towards greater abstraction and experimentation. Many composers of Boulez's generation taught at the Internationale Ferienkurse für Neue Musik in Darmstadt, Germany. The so-called Darmstadt School composers were instrumental in creating a style that, for a time, existed as an antidote to music of nationalist fervor; an international, even cosmopolitan style, a style that could not be 'co-opted' as propaganda in the way that the Nazis used, for example, the music of Ludwig van Beethoven. Boulez was in contact with many young composers who would become influential, including John Cage and Karlheinz Stockhausen. (Wiki)
Track listing
CD1:
01.La Mer (Trois Esquisses Symphoniques): I. De L' Aube A Midi Sur La Mer
02.La Mer (Trois Esquisses Symphoniques): II. Jeux De Vagues
03.La Mer (Trois Esquisses Symphoniques): III. Dialogue Du Vent Et De La Mer
04.Nocturnes (Triptyque Symphonique): I. Nuages
05.Nocturnes (Triptyque Symphonique): II. Fetes
06.Nocturnes (Triptyque Symphonique): III. Sirenes
07.Printemps (Suite Symphonique): I. Tres Modere
08.Printemps (Suite Symphonique): II. Modere
09.Rhapsodie No. 1 Pour Orchestre Avec Clarinette Principale
Time: 72:40 mins
CD2:
01.Prélude à L' Après-Midi D' Un Faune
02.Jeux (Poème Dansé)
03.Images Pour Orchestre: I. Gigues
04.Images Pour Orchestre: II.Iberia, Par Les Rues Et Par Les Chemins
05.Images Pour Orchestre: II.Iberia, Les Parfums De La Nuit
06.Images Pour Orchestre: II.Iberia, Le Matin D' Un Jour De Fete
07.Images Pour Orchestre: III. Rondes De Printemps
08.Danses: I. Danse Sacree
09.Danses: II. Danse Profane
Time: 72:19 mins
CD3:
01.1 Une forêt
02.2 Un appartement dans le château
03.3 Devant le château
04.1 Une fontaine dans la parc
05.2 Une appartement dans le chateau
06.3 Devant une grotte
Time: 57:40 mins
CD4:
01.1 Une Des Tours Du Château
02.2 Les Souterrains Du Château
03.3 Une Terrasse Au Sortir Des Souterrains
04.4 Devant Le Château
Time: 33:39 mins
CD5:
01.1 Un appartement dans le château
02.2 Scène 2
03.3 Une fontaine dans le parc
04.4 Scène 4
05.1 Une chambre dans le château
Time: 62:51 mins
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